Summary
David Ayer’s changes to the original The Fast and the Furious script led to the franchise’s massive box office success, but he claims he has “nothing to show” for his work. Ayer’s decision to set the movie in Los Angeles and include a highly inclusive and diverse cast was instrumental in shaping the franchise’s identity and appeal. Ayer hinted that he was muscled out of the Fast & Furious series by producers, reflecting a history of creative differences with studios.
David Ayer commented on the changes he made to The Fast and the Furious script and how he doesn’t get credit for it, even though those story changes led to the franchise’s $7 billion box office success. Ayer is known better as a director, having helmed intense such crime films as Street Kings and End of Watch, as well as the war movie Fury. He notoriously directed the DCEU’s Suicide Squad, which is one of the most polarizing movies of the 2010s. However, he started out as a screenwriter. He famously wrote 2001’s Training Day, and he also rewrote the screenplay for The Fast and the Furious.
There’s an old adage in Hollywood: “You don’t get what you deserve, you get what you negotiate.” That’s true of The Fast and the Furious and its ensuing success. While David Ayer wrote the original Fast & Furious movie, he claims he has “nothing to show” for his work. Following the 2001 movie, the franchise went on to gross billions of dollars, peaking with Furious 7, which grossed $1.5 billion worldwide (via The Numbers). Although the screenplay for The Fast and the Furious was fully written (by Gary Scott Thompson) when it landed on Ayer’s desk, the changes he made were substantial, and they’re what made the franchise so successful.
How David Ayer Changed Fast & Furious’ Original Concept
The Fast and the Furious was originally set in New York City, and that setting alone would have massively limited the film. David Ayer explained, “When I got that script, that s— was set in New York, it was all Italian kids.” Given that the movie is about street racing, it would have been extremely difficult to shoot it on tight New York street blocks, especially compared to the wide-open spaces of Los Angeles. Not only that but the sun-soaked dusty-yellow look of Los Angeles makes the colorful souped-up vehicles pop onscreen. It was Ayer’s decision to set the movie in Los Angeles, the first of many great changes.
Ayer had several demands when he was offered to rework the script, noting, “I’m like, ‘Bro, I’m not gonna take it unless I can set it in L.A. and make it look like the people I know in L.A., right?’ So then I started, like, writing in people of color, and writing in the street stuff, and writing in the culture, and no one knew s— about street racing at the time.” The Fast and the Furious had a highly inclusive cast long before studios realized there was a lack of diversity in movies. Ayer’s choice wasn’t to cover the bases; it was natural and totally reflective of Los Angeles.
The Fast and the Furious is based on “Racer X”, a magazine article that investigated underground street racing, which was unknown to the public at the time, and it likely had a modicum of references to the underground world. However, it was Ayer who injected the screenplay with fine details about tuning cars that only gearheads would know. The original screenplay ultimately sounds like an underdeveloped crime movie set in New York, which would have been full of stereotypical New York Italians with street racing being only a minor part of the story.
David Ayer’s Fast & Furious Changes Have Defined The Franchise For 22 Years
The cast of the Fast & Furious franchise is even more diverse now than it was over two decades ago. There’s an equal amount of female and male characters, just as there are people of color, and the female characters are as heavily involved in the action as stars Vin Diesel and Dwayne Johnson. What’s more impressive is that the franchise has continued to diversify its cast without feeling like the studio is simply trying to tick all the boxes. Nevertheless, the diversity started when Ayer came on board to rewrite the first movie’s script. Nathalie Emmanuel, who plays Ramsey in the franchise, credits Fast & Furious’ success to diversity.
The franchise has shifted from its street racing roots, and it’s more of a globe-trotting affair than a Los Angeles-based series now. However, there’s currently a nostalgia for those early street-racing-focused films and a demand for the series to go back in that direction. The Fast & Furious movies’ need to return to the franchise’s roots is the best option for a reboot, too. The craving for more of that colorful and somewhat campy tone and energy wouldn’t exist without Ayer’s rewrites that concentrated on the street racing zeitgeist.
Why David Ayer Didn’t Return For Fast & Furious Sequels
David Ayer hinted that he was ultimately muscled out of the Fast & Furious series by producers. The filmmaker explained, “It’s like people hijack narratives, control narratives, create narratives to empower themselves, right? And because I was always an outsider and because, like, I don’t go to the f—ing parties. I don’t go to the meals, I don’t do any of that stuff… so I was always like the dark, creative dude, beware.” The comment is extremely cryptic, but franchise producer Neal H. Moritz commented positively about Ayer’s input, saying he “was really able to lend credibility and a voice of these young people in this world.”
Ayer has a history of creative differences, as he famously had a terrible time working with Warner Bros. when making Suicide Squad and claimed that the studio interfered too much (via Cinema Blend). However, Universal has also had a long-running Fast & Furious problem with directors. The franchise’s filmmakers have noted their dissatisfaction with the series, including Rob Cohen, and most recently, Justin Lin, who had directed five Fast & Furious movies but quit midway through Fast X’s production. Either way, The Fast and the Furious started a phenomenon, and there’s truth to Ayer’s comment, “Biggest franchise in Hollywood, and I don’t have any of it.”